Post-digital education
We examine education after the digital has become ordinary infrastructure, asking how learning is shaped by platforms, media saturation, maintenance, inequality, and everyday technological habits.
Our research themes are provisional, porous, and intentionally interdisciplinary. They name shared concerns rather than fixed boundaries.
Theme windows
We examine education after the digital has become ordinary infrastructure, asking how learning is shaped by platforms, media saturation, maintenance, inequality, and everyday technological habits.
We explore art education in contexts where analog and digital practices are intertwined, attending to studio cultures, image-making, critique, experimentation, and material traces.
We study pedagogical life after AI promises by focusing on agency, labor, authorship, assessment, uncertainty, automation, and the cultural imaginaries that surround machine intelligence.
We treat craft and sloyd as critical practices for understanding tools, bodies, materials, histories, code, sensors, repair, and the tactile dimensions of digital culture.
We ask how computing can be studied and practiced through ecological limits, energy use, repair, reuse, slowness, sufficiency, and more careful technological futures.
We foreground bodies, senses, gestures, tools, atmospheres, and sites as active participants in research, teaching, learning, and artistic inquiry.
We engage with feminist approaches to data, classification, visualization, accountability, refusal, situated knowledge, and the power relations embedded in computational systems.
We connect cultural analysis, artistic research, and critical technology studies to understand how technological futures are narrated, contested, designed, and lived.
We develop pedagogies that move beyond tool-centered thinking toward relational, embodied, ecological, affective, and experimental ways of knowing and making.
This section can later hold funded projects, thematic clusters, reading groups, workshops, doctoral seminars, publication plans, and collaborations with universities, studios, museums, schools, and independent collectives.